AI: New Celebrity Estate issues around AI Videos. RTZ #875

AI: New Celebrity Estate issues around AI Videos. RTZ #875

As long expected, AI is fast changing what we think of as video in Hollywood, in this AI Tech Wave. Important as AI is consuming video, while most media is gravitating towards algorithmically flowing video feeds. Consumed by mainstream in the billions.

OpenAI in its current mode of move even faster and break things, is enjoying another bout of success with its AI content generator LLM Sora 2. Now on the top of the app charts on Apple’s iOS App Store. ‘AI Slop’ in size.

The company is enjoying success similar to its text to images launch a few months ago inspiring the ‘Ghibli’ image craze.

And it comes of course with huge gobs of copyright and trademark issues. As well as compensation for holders of said assets. Many of them of course in Hollywood. Both living and deceased, as documented by the Washington Post here:

“By allowing for controversial yet eye-catching content like AI celebrities, OpenAI is borrowing from a playbook perfected by social media companies such as Meta: Do whatever it takes to get users on the app and ask forgiveness later, said Thales Teixeira, a business professor at the University of California at San Diego. “First you grow, and then you try to solve the problems,” he said.”

And as much as millions and soon billions will continue to enjoy creating their versions on AI video services by OpenAI, Meta, Google and many others, the underlying issues and more need some thought and discussion.

Axios summarizes it all in OpenAI’s Sora deepfakes of Robin Williams, George Carlin spark outrage”:

“Family members of the late actor Robin Williams and comedian George Carlin urged OpenAI to restrict deepfakes of their loved ones on video-generation platform Sora.”

“Why it matters: While public figures can opt out of AI-generated videos, the likenesses of the dead are fair game, a loophole their families say desecrates their legacies.”

“What they’re saying: “Please, just stop sending me AI videos of Dad,” Robin’s daughter Zelda Williams posted on her Instagram stories Tuesday.”

  • “If you’ve got any decency, just stop doing this to him and to me, to everyone even, full stop. It’s dumb, it’s a waste of time and energy, and believe me, it’s NOT what he’d want.”

  • “To watch the legacies of real people be condensed down to ‘this vaguely looks and sounds like them so that’s enough’, just so other people can churn out horrible, TikTok slop puppeteering them is maddening.”

  • “You’re not making art, you’re making disgusting, over-processed hotdogs out of the lives of human beings, out of the history of art and music, and then shoving them down someone else’s throat hoping they’ll give you a little thumbs up and like it. Gross.”

Offsetting the above of course are the counter-points of free speech, expression, and of course ‘fair use’.

“The other side: An OpenAI spokesperson told Axios in an email there are “strong free speech interests” in allowing users to depict historical figures.”

  • “For public figures who are recently deceased, authorized representatives or owners of their estate can request that their likeness not be used in Sora cameos,” they said.”

  • “OpenAI did not clarify what counts as “recently deceased.”

Part of the issue of course is how GOOD these AI replicas are, already this early in these nascent technologies.

“The big picture: OpenAI released Sora 2 on Sept. 30, letting users create hyperrealistic 10-second videos, following a similar release by Meta, as Axios’ Ina Fried previously reported.”

  • “The release helped reignite Hollywood’s critiques on AI in entertainment creation, which Zelda Williams previously criticized during the contentious SAG-AFTRA strike in 2023.”

That is of course I discussed back then.

“Zoom in: George’s daughter, Kelly Carlin-McCall, said she gets daily emails about AI videos using her father’s likeness.”

  • “We are doing our best to combat it, but it’s overwhelming, and depressing,” she wrote in a post on Bluesky.

  • Other videos, such as Michael Jackson doing standup comedy, Stephen Hawking doing tricks in his wheelchair or the Rev. Martin Luther King Jr. stumbling through a speech have also made the rounds on social media.”

The issues of celebrities past and their estate, is a big one going forward. And will likely be resolved eventually to the satisfaction of most. And with incremental financial opportunities for most of those estates. Past and Present. Regardless of current tactics.

Our thought bubble, from Axios’ Megan Morrone: The ownership of our AI likenesses — and those of our dead loved ones — is shaping up to be another big legal battleground for Big Tech.”

  • “Once again, they’ve taken the “ask forgiveness, not permission” route, just as they did when training their text, video and image models on copyrighted work.”

  • “By opting in dead celebrities for use in Sora, OpenAI is showing families they might be able to monetize the likeness of their dead loved ones indefinitely, with OpenAI taking a cut.”

The LLM AI companies of course are using all of this as negotiation tactics, both passive and aggressive.

“What we’re watching: CEO Sam Altman acknowledged in a blog post last weekend that Sora’s rapid rollout is subject to change significantly.”

  • “Please expect a very high rate of change from us; it reminds me of the early days of ChatGPT,” he wrote.”

  • “We will make some good decisions and some missteps, but we will take feedback and try to fix the missteps very quickly. We plan to do our iteration on different approaches in Sora, but then apply it consistently across our products.”

“Go deeper: ChatGPT and Midjourney bring back the dead with generative AI

These are but the opening moves in these new arenas of content challenges and opportunities.

OpenAI happens to be the one in the news today, but most of the Big Tech, LLM AI and Media companies are watching and executing closely this AI Tech Wave. Stay tuned.

(NOTE: The discussions here are for information purposes only, and not meant as investment advice at any time. Thanks for joining us here)





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